Reviews of Books

Identifieur interne : 000483 ( Main/Exploration ); précédent : 000482; suivant : 000484

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Reviews of Books

Auteurs : Leeman L. Perkins

Source :

• The Musical Quarterly [ 0027-4631 ] ; 1984.

RBID : ISTEX:8B0658C108646534BA3181E4C1296BA6B8852277

English descriptors

• Entity :
  • pers : Oliver Neighbour, Philip Brett, William Byrd.
  • place : Berkeley, England, Los Angeles, Palestrina.
• Teeft :
  • Adequate appreciation, Admirable insight, Analytical viewpoint, Apparent assumption, Apparent melodic relationship, Archaic mensuration, Artistic quality, Author resort unabashedly, Available edition, Basic intervallic sequence, Befixedin time, Brightest pupil, Byrd corpus, Byrd epiphany, Byrd oeuvre, Cadential, Cadential articulation, Cadential final, Cadential structure, California press, Careful preparation, Celestial thing, Central focus, Central purpose, Certain character, Certain mensural sign, Cogent theoretical statement, Coloured style, Common methodological, Compositional, Compositional process, Compositional sequence, Comprehensive examination, Conceptual framework, Confusing notational usage, Considerable compositional output, Consistent commixture, Consistent pattern, Contemporary aesthetic expectation, Contemporary sensibility, Continental model, Contrapuntal cadence, Contrapuntal style, Conventional manner, Critical apparatus, Critical comment, Critical matter, Cursory reading, Datable influence, Determinable event, Difficult question, Discernible pattern, Dorian mode, Early motet, Early practice, Earthly matter, Easy introduction, English convention, English music, English practice, Entire repertory, Entire study, Essential skeleton, Expressive rhetorical, Extent possible, Fine study, Fourth element, Frequent reference, Fruitful interaction, Functional chord progression, Functional harmony, Further distinction, Further study, General norm, Genre byrd, Good deal, Great detail, Great english composer, Helpful discussion, Historical rigor, Historical vision, Idiomatic melodic figuration, Ihecantiones sacrae, Imperfea time, Imperfect consonance, Important feature, Important question, Impressive achievement, Inchordal texture, Indispensable foundation, Individual composition, Individual piece, Individual work attributable, Infrequent citation, Instrumental music, Instrumental repertory, Intellectual curiosity, Intimate acquaintance, Joseph herman, Kerman, Keyboard composer, Keyboard music, Keyboard repertory, Large number, Late sixteenth, Less distortion, Less unfortunate, Long time, Lowest part, Major element, Manageable group, Many ingenious way, Many instance, Meaningful distinction, Melodic climax, Melodic elaboration, Minor irritation, Modal concept current, Modal factor, Modal matter, Modal term, More difficult, More extensive, More regular, Motivic connection, Much less severe, Much more informative, Musical practice, Musical quarterly, Musical quarterly little consequence, Musical quarterly nature, Musical repertory, Musical structure, Musical style, Musicology risk, Neighbour, Numbing dullness, Numerous example, Obvious connection, Oftrepeated redundancy, Oliver neighbour, Other genre, Page measure, Peak pitch, Perfect consonance, Pertinent indication, Pertinent source material, Philip study, Plagal form, Polyphonic composition, Possible adoption, Practical music, Predictable tempo, Primary thrust, Principal objective, Probable date, Profound musidanly understanding, Prose style, Psalm tone, Quarti toni, Regular ambitus, Relevant repertory, Relevant theoretical, Religious view, Renaissance england, Representative range, Same characteristic specie, Same irregular final, Same variety, Scholarly activity, Secondary question, Seminal study, Separate segment, Sharp relief, Significant sacred music, Sixteenth century, Sizeable number, Small dos, Style criticism, Stylistic, Stylistic development, Stylistic profile capable, Stylistic similarity, Substantial number, Such difference, Such evident skill, Such genuine beauty, Such matter, Sufficient weight, Symmetrical period, Technical vocabulary, Text phrase, Theoretical tradition, Third part, Thomas morley, Thoroughgoing knowledge, Tonal control, Tonal region, Tonal vocabulary, Total absence, Traditional system, Triadic approach, Unbroken rhythmic motion, Unfortunate effect, Vast erudition, Vital link, Vitiating flaw, Vocal music, William byrd, Word painting.

Url:

• https://api.istex.fr/ark:/67375/HXZ-91ZHNHNR-L/fulltext.pdf

DOI: 10.1093/mq/LXX.1.134

Affiliations:

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